Donna Glee’s felted creations from the class “Nuno-felt Collage” with Liz Spear & Neal Howard
Our current host, Donna Glee Williams, is a writer of fantasies for the teenager in all of us, as well as being a seminar leader, dream worker, and creative coach. She has recently published two novels and her work has been featured in anthologies, literary magazines, academic journals, spoken-word podcasts, and more. She even came to the rescue and taught a recent weekend writing class at the Folk School when the scheduled instructor cancelled at the last minute. The hosts at the Folk School keep the show running smoothly and they are fully involved in the daily life of the School for a four month period. Without further ado, let’s get to know Donna Glee!
CP: What first brought you to the Folk School?
Donna Glee Williams outside of Keith House with her most recent book, Dreamers
DGW: From 1994 to 2015, I worked at the NC Center for the Advancement of Teaching and we created weeklong intensive seminars for public school teachers in all manner of subjects with the goal of helping them reconnect with their passion, pride, and love of teaching. In that time, I worked with many fabulous local craft artists. I wanted come learn about this resource that was so close and make connections with the people here who could be possible presenters for my teachers. That’s what got me to the Folk School for the first time.
CP: What inspired you to apply for the Host position?
DGW: When I left my job to be a full-time writer, I knew I wanted to add craft adventures to my life. I wanted to continue to work with top craftspeople and have these experiences of the hand that by some mysterious alchemy wind up coming out as material in my books.
Living the life of the full-time writer, I knew I would not have the funds to make that happen, so the host position was an ideal program for me. I don’t know how what I learn here will come out in a book, but there is a strong likelihood that it will. Right now, I am working on a book that is the residue of an experience I had in 2008 when I was a Fulbright fellow and went to India to study certain small, desperately poor communities are declaring independence from pesticide use and raising cotton without chemicals. Fiber arts have often been a focus in my work. [click to continue…]